The plot sags like an aeon-old decaying limb: a jumble of ideas and scenes from what look like different screenplay drafts. It brings in the usual element of sub-Spielberg gung-ho capers, but essentially sees The Mummy as a superhero origin movie; or possibly supervillain; or Batmanishly both. This has some nice moments but is basically a mess, with various borrowings, including some mummified bits from An American Werewolf in London. Facebook Twitter Pinterest. And before that, of course, there were classic versions with Boris Karloff and Christopher Lee both variously getting the all-over St John Ambulance treatment. He is a figure to be mistrusted, although when he reveals his name and his destiny, he is just a distraction — and silly. Then they blunder across the extraordinary tomb of evil Egyptian sorceress Ahmanet Sofia Boutella who has some kind of weirdo mind-meld experience with Nick.
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